The legal rights to broadcast—or otherwise publicly perform—audio recordings have long been a complex, irrational mess, according to copyright lawyers.
The mess began with the Sound Recordings Act of 1971, which granted federal copyright protection to audio recordings made on and after Feb. 15, 1972. Composers, lyricists, performers and recording companies all obtain federal copyrights in their audio recordings, but these creators do not receive the same protection under federal copyright law. Composers and lyricists receive royalties when audio recordings of their works are broadcast. Performers and record labels often don't.
Apr 1, 2015 6:07 AM CDT